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cssメリット WEB標準に準拠 - 「SEO」「アクセシビリティ」「ユーザビリティ」 構成情報HTMLとデザインCSSの分離 メンテナンスが容易 レンダリングエンジン Trident (Internet Explorer等 Gecko Mozilla Firefox等 KHTML Konqueror WebKit Safari、Google Chrome等 Presto Opera 日本のブラウザシェア http //lhsp.s206.xrea.com/misc/browser-share.html レンダリングモードはXHTMLソースコードの最初に記述するDoctypeスイッチングを選択して決定する。DTDは、XHTMLのメタデータが記述されている。 http //www.htmq.com/htmlkihon/302.shtml サーチエンジンシェア(あるサイトのアクセス解析より) http //find.accessup.org/kensaku/access_history.html#graph リンク Zen Garden - ワンソース・マルチデザインサイト http //www.csszengarden.com/tr/japanese/ ユーザビリティ http //www.usability.gr.jp/ http //www.hcdnet.org/ HTML 要素の種類 ブロックレベル要素 widthとheightの値を持つ。指定がない場合、親要素を継承 p div table dl ul ol form address blockquote h1-h6 fieldset hr pre インライン要素 widthとheightの値を持たない。ブロックレベル要素内の文中をマークアップする。ブロックレベル要素を子要素として持つことが出来ない a abbr acronym b bdo big cite code dfn em i kbd label q smap small spam strong sub sup tt var インラインブロック要素 widthとheightの値を持つ。文法的な使われ方はインライン要素 button img input object select span要素 インライン要素。文中、CSSでデザインする span 場所 /span を囲む。 コメント !-- -- 文字実体参照・数値文字参照 http //w3g.jp/others/data/letters sectionとarticleの違い article 単体で完結出来る お知らせや新着情報 section リンク先を見てみないことには分かいような物 コンテンツ類 CSS コメント /* */ 記述場所 インライン p style="color #ff00000;" /p 内部参照 style type="tetxt/css" p{ color ff0000;} /style 外部参照 link rel="stylesheet" type="text/css" href="xxx.css" / @importディレクティブ @import url(xxx.css) all; ←css内に記述。cssを階層構造にしてまとめる物? セレクタ http //weboook.blog22.fc2.com/blog-entry-287.html http //www.htmq.com/csskihon/005.shtml スタイルシートの継承一覧 http //css.eweb-design.com/0108_bsc.html body要素に書いておくと良さそうなもの http //www.designwalker.com/2007/02/css-body.html 詳細度(適応優先順位) * 0 p 1 a link 2 ul li 2 .con 10 #header 100 style="" 1000 #wrapper ul li.home 112 div#header 101 カスケーディング スタイルシートの種類 オーサー(Author) コンテンツ作成者が作成したCSS ユーザー(user) コンテンツ利用者が意図して使用するCSS ユーザーエージェント(User Agent) ブラウザ自体が持っているCSS 優先順位 1 ユーザスタイルシート(!important宣言付き) CSSファイル内に!important宣言があるもの 2 オーサースタイルシート(!important宣言付き) CSSファイル内に!important宣言があるもの 3 オーサースタイルシート サイト制作者がlinkタグやstyleタグなどで指定したもの 4 ユーザスタイルシート ユーザー独自に作成したもの 5 デフォルトスタイルシート ブラウザが標準で持っているもの ボックスモデル ボックスモデル http //www.geocities.jp/multi_column/float/02.html http //www.dspt.net/stylesheet_css/001/010.html マージンの相殺 垂直方向のマージン相殺 正正/値が大きい方 正負/マージンを足した値 負負/絶対値が大きい方 ボックス内にボックスがある場合のマージンの相殺 paddingとboderの値がない場合。絶対値が大きい方が採用 空要素に対するマージン相殺 paddingとboderの値がない場合。マージンを指定しても折りたたまれる http //blog.webcreativepark.net/2008/07/09-001153.html http //kohituji.konjiki.jp/tec/margin.html フォントサイズについて bodyに対してfont-size 62.5%を予め指定しておくと、フォントサイズをemで指定する際、12ピクセル相当なら1.2em、16ピクセルにしたいなら1.6emという風にemを使ったフォントサイズ指定が分かりやすくなる CSS3で単位remは、ルートemの略。html要素にfont-size 62.5%;を指定すると継承する? http //redline.hippy.jp/lab/css/bodyfontsize625.php http //parashuto.com/rriver/development/css3-re ボックスの配置方法(基準位置)を指定 http //www.htmq.com/style/position.shtml
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Market Scenario Market Research Future (MRFR), in its latest report on the global market for construction robots, reveals the likely market scenario in the study period and factors that can control the market across the forecast period 2018–2023. The global Construction Robot MarketSize is likely to rise at 17% CAGR in the forecast period 2018–2023. The construction robot value to touch USD 165 million in the assessment period. Novel coronavirus has Construction Robot Market Size to open new avenues for those firms that are on the lookout for solutions that are reliable, efficiently managed, scalable, and are subscription-based, to remain more focused on the core business. The Construction Robot Market is bearing lesser impact of the COVID-19 outbreak compared to most other segments of the tech world. The growing automation trend in the construction industry is expected to underpin the construction robot in the assessment period. The increase in automated construction solution for renovation, commercial construction, and demolition can boost the expansion of the market across the study period. In addition, the increase in safety concern for labours in disorganized and threating work environment is also boosting the adoption of construction robot, which, in turn, can support the market growth in the years ahead. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6305 Competitive Outlook Alpine Sales and Rental (US), CyBe Construction (Netherlands), Cyberdyne (Japan), nLink (Norway), Komatsu (Japan), Husqvarna (Sweden), Brokk AB (Sweden), Esko Bionics (U.S.), TopTec Spezialmaschinen GmbH (Germany), Conjet AB (Sweden), Construction Robotics (U.S.) Autonomous Solutions (US), Fastbrick Robotics (Australia), Apis Cor (Russia), Yingchuang Building Technique Co. (WinSun) (China), MX3D (Netherlands), Giant Hydraulic Tech (China), Advanced Construction Robotics (US), and Beijing Borui Intelligent Control Technology (China) are some reputed dealers of Construction robots as listed by MRFR. Segmentation The segment evaluation of the construction robot market is done by automation, function, vertical, and design type. The design type-based segment of the construction robot are robotic arm, exoskeleton, and traditional robot. The rise in popularity of robotic arm construction robot due to advantages, such as ease of lifting heavy weights and slashing manual labor, can promote the expansion of the market in the years to come. The automation based segments of the construction robot market are semi-autonomous and fully autonomous. The high adoption of automated, followed by semi-autonomous robot can boost the expansion of the construction robot market through the analysis period. The function-based segments of the construction robot market are bricklaying, demolition, concrete structural erection, 3D printing, doors and windows installation, finishing work, and others. Increase in scope of 3D printing can impel the market rise. The vertical based segments of the construction robot market are commercial and residential buildings, public infrastructure, and nuclear dismantling and demolition among others. Other includes road and tunnel construction. Rise in building activates can boost the expansion of the market in the assessment period. Regional Analysis In APAC, the growing awareness about Construction robots and its benefits such as improvement safety, high quality, and rise in productivity can impel the expansion of the regional market through the review period. The availability of different type of construction robots that simplifies tasks in the construction sector can impel the expansion of the APAC market. The rise in the popularity of 3D-printing robots and launch of innovative prototypes can boost the expansion of the construction robot market in the North America. In Europe, the increase in buildings based on 3D models to construct complex design can prompt the regional market growth. In addition, advancements in industrial robotics and the use of implementation on UAV (unmanned aerial vehicles) across the US construction industry can support the expansion of the regional market. The feasibility of UAVs in capturing accurate data for large sites, site surveying, health and safety inspections, and accessing hazardous zones can support the expansion of construction robot market in the North America region. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/construction-robot-market-6305 List of Tables Table1 Global Construction Robot Market By Country, 2020–2027 Table2 North America Construction Robot Market, By Country, 2020–2027 Table3 Europe Construction Robot Market By Country, 2020–2027 Continued… List of Figures FIGURE 1 Global Construction Robot Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis Of Global Construction Robot Market Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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Farm Tractor Advertising in America 1900-1960 (Motorbooks International Farm Tractor Color History) Motorbooks Intl? David Fetherston? MotorbooksIntl? DavidFetherston? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Harley-Davidson Shovelhead (Motorcycle Color History) Motorbooks Intl? Tom Murphy? MotorbooksIntl? TomMurphy? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Toy Tractors (Enthusiast Color Series) Motorbooks Intl? Rob Leicester Wagner? Vincent Manocchi? MotorbooksIntl? RobLeicesterWagner? VincentManocchi? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Home&Garden-Crafts&Hobbies-Toymaking? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Sports-General? Orphan Tractors Motorbooks Intl? Bill Vossler? MotorbooksIntl? BillVossler? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Illustrated Jaguar Buyer's Guide (Illustrated Buyer's Guide) Motorbooks Intl? Michael L. Cook? MotorbooksIntl? MichaelL.Cook? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Dodge Pickup Color History (Color History Series) Motorbooks Intl? Don Bunn? Mike Mueller? MotorbooksIntl? DonBunn? MikeMueller? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Pictorial? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Bmw M-Series and Performance Specials (Sports Car Color History) Motorbooks Intl? Jonathan Cohen? MotorbooksIntl? JonathanCohen? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Luxury? Subjects-Nonfiction-Automotive-Pictorial? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Illustrated Antique American Motorcycle Buyer's Guide (Illustrated Buyer's Guide) Motorbooks Intl? Jerry Hatfield? MotorbooksIntl? JerryHatfield? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Chevrolet Small-Block V8 Id Guide Covers All Chevy Small-Block Engines Since 1955 (Powerpro) Motorbooks Intl? Pierre Lafontaine? MotorbooksIntl? PierreLafontaine? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Customize? Subjects-Nonfiction-Automotive-Repair? Subjects-Nonfiction-Automotive-Mechanics-Engine? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Vintage Police Cars (Enthusiast Color Series) Motorbooks Intl? Edwin J. Sanow? MotorbooksIntl? EdwinJ.Sanow? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Triumph Motorcycle Restoration Guide Bonneville Tr6 1956-1983 (Motorbooks International Authentic Restoration Guides) Motorbooks Intl? David Gaylin? MotorbooksIntl? DavidGaylin? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Jeep Warhorse, Workhouse Boulevard Cruiser Motorbooks Intl? David Fetherston? MotorbooksIntl? DavidFetherston? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-SportUtilityVehicles? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Workhorse Props Prop Aircraft Around the World Motorbooks Intl? Gerry Manning? MotorbooksIntl? GerryManning? ジャンル別? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Wind in the Wires A Golden Era of Flight 1909-1939 Motorbooks Intl? Mike Vines? MotorbooksIntl? MikeVines? ジャンル別? Substores-UnknownASINs-62? Subjects-Engineering-General? Subjects-History-Americas-UnitedStates-State&Local-NewYork? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-General Sixty Glorious Years A Tribute to the Douglas Dc-3 Dakota Motorbooks Intl? Arthur Pearcy? MotorbooksIntl? ArthurPearcy? ジャンル別? Subjects-Engineering-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Nonfiction-Transportation-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Ferrari Gt Cars Motorbooks Intl? Gaetano Derosa? MotorbooksIntl? GaetanoDerosa? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-General Substores-UnknownASINs-jp-unknown1? Motor City Muscle Motorbooks Intl? Mike Mueller? MotorbooksIntl? MikeMueller? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Dodge, Plymouth Chrysler Police Cars 1979-1994 Motorbooks Intl? Edwin J. Sanow? John L. Bellah? Galen Govier? MotorbooksIntl? EdwinJ.Sanow? JohnL.Bellah? GalenGovier? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Modern Diesel Locomotives (Enthusiast Color Series) Motorbooks Intl? Hans Halberstadt? MotorbooksIntl? HansHalberstadt? ジャンル別? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Engines-Gasoline&Diesel? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Engines-Gasoline&Diesel? Subjects-Professional&Technical-Engineering-General How to Build Modify Chevrolet Big Block V-8 Engines (Motorbooks Powertech Series) Motorbooks Intl? Tom Currao? MotorbooksIntl? TomCurrao? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Customize? Subjects-Nonfiction-Automotive-Parts? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Nonfiction-Automotive-Mechanics-Engine? Subjects-Nonfiction-Automotive-Repair-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Challenger Barracuda Restoration Guide, 1967-1974 (Authentic Restoration Guides) Motorbooks Intl? Paul A. Herd? MotorbooksIntl? PaulA.Herd? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Customize? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Nonfiction-Automotive-Repair-General? Subjects-Professional&Technical-Engineering-General The Harley-Davidson and Indian Wars Motorbooks Intl? Allan Girdler? MotorbooksIntl? AllanGirdler? ジャンル別? Substores-UnknownASINs-62? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-History? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Sports-General? Chevrolet in the Sixties (American Classics (Motorbooks Intl)) Motorbooks Intl? Robert Genat? MotorbooksIntl? RobertGenat? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Gas Oil Trucks (Crestline Series) Motorbooks Intl? Donald F. Wood? MotorbooksIntl? DonaldF.Wood? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Ultimate Auto Workshop Design Planning (Powerpro) Motorbooks Intl? David H. Jacobs? MotorbooksIntl? DavidH.Jacobs? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-HomeDesign-Design&Construction? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Repair-General? Subjects-Professional&Technical-Engineering-General Airliners in Flight A Gallery of Air-To-Air Photography Motorbooks Intl? Nicholas A. Veronico? George Hall? MotorbooksIntl? NicholasA.Veronico? GeorgeHall? ジャンル別? Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Engineering-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-Commercial? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Nonfiction-Transportation-General? Subjects-Professional&Technical-Engineering-General Ducati Superbikes 851, 888, 916 Motorbooks Intl? Paolo Conti? Antony Shugaar? MotorbooksIntl? PaoloConti? AntonyShugaar? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Sports-Miscellaneous-MotorcycleRacing? Harley-Davidson Data Book Motorbooks Intl? Rick Conner? MotorbooksIntl? RickConner? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Illustrated Porsche Buyer's Guide (Illustrated Buyer's Guide) Motorbooks Intl? Dean Batchelor? Randy Leffingwell? MotorbooksIntl? DeanBatchelor? RandyLeffingwell? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-General Subjects-Reference-ConsumerGuides? Subjects-Science-History&Philosophy-HistoryofTechnology? John Deere Tractor Data Book Motorbooks Intl? Lorry Dunning? MotorbooksIntl? LorryDunning? ジャンル別? Subjects-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Sportbike Performance Handbook Motorbooks Intl? Kevin Cameron? MotorbooksIntl? KevinCameron? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Professional&Technical-Engineering-General Ford Tractor Data Book Fordson to the Hundred Series Motorbooks Intl? Jeff Creighton? MotorbooksIntl? JeffCreighton? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Reference-General? Subjects-Science-AgriculturalSciences-General? Illustrated Ferrari Buyer's Guide (Motorbooks International Illustrated Buyer's Guide) Motorbooks Intl? Dean Batchelor? Randy Leffingwell? MotorbooksIntl? DeanBatchelor? RandyLeffingwell? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-ConsumerGuides? Subjects-Reference-General? Motocross and Off-Road Motorcycle Performance Handbook (Cyclepro) Motorbooks Intl? Eric Gorr? MotorbooksIntl? EricGorr? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Nonfiction-Automotive-Racing? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Sports-Miscellaneous-MotorSports? Subjects-Sports-Miscellaneous-MotorcycleRacing? Illustrated Corvette Buyer's Guide (Motorbooks International Illustrated Buyer's Guide Series) Motorbooks Intl? Michael Antonick? MotorbooksIntl? MichaelAntonick? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Ferrari (Enthusiast Color Series) Motorbooks Intl? Dennis Adler? MotorbooksIntl? DennisAdler? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Luxury? Subjects-Nonfiction-Automotive-Pictorial? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Emergency Rescue Vehicles (Enthusiast Color Series) Motorbooks Intl? Michael Haenggi? John H. Holmgren? MotorbooksIntl? MichaelHaenggi? JohnH.Holmgren? ジャンル別? Substores-UnknownASINs-62? Subjects-Engineering-Automotive-General? Subjects-Engineering-General? Subjects-Medicine-Specialties-EmergencyMedicine? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-Automotive-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Medicine-Specialties-EmergencyMedicine? Boeing 747 Design and Development Since 1969 (Jetliner History) Zenith Pr? Guy Norris? Mark Wagner? ZenithPr? GuyNorris? MarkWagner? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Aerospace-AircraftDesign&Construction? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-Commercial? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Nonfiction-Transportation-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Aerospace-AircraftDesign&Construction? Race Car Chassis Design and Construction (Powerpro) Motorbooks Intl? Forbes Aird? MotorbooksIntl? ForbesAird? ジャンル別? Subjects-Engineering-Automotive-VehicleDesign&Construction? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Racing? Subjects-Professional&Technical-Engineering-Automotive-VehicleDesign&Construction? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Sports-Miscellaneous-MotorSports? Nova Ss (Muscle Car Color History) Motorbooks Intl? Steve Statham? MotorbooksIntl? SteveStatham? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Ford N Series Tractors (Originality Guide) Motorbooks Intl? Rod Beemer? Chester Peterson? MotorbooksIntl? RodBeemer? ChesterPeterson? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Illustrated Mg Buyer's Guide (Illustrated Buyer's Guide) Motorbooks Intl? John Heilig? MotorbooksIntl? JohnHeilig? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Texaco Collector's Guide Motorbooks Intl? Scott Benjamin? Wayne Henderson? MotorbooksIntl? ScottBenjamin? WayneHenderson? ジャンル別? Subjects-Engineering-Civil-Mining? Subjects-Engineering-General? Subjects-Entertainment-PopCulture-Americana? Subjects-Home&Garden-Antiques&Collectibles-Americana? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Magazines&Newspapers? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-General Subjects-Reference? Euclid and Terex Earth-Moving Machines Motorbooks Intl? Eric C. Orlemann? MotorbooksIntl? EricC.Orlemann? ジャンル別? Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-EarthworkDesign? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-EarthworkDesign? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Busted Tractors and Rusty Knuckles Norwegian Torque Wrench Techniques and Other Fine Points of Tractor Restoration Motorbooks Intl? Roger L. Welsch? MotorbooksIntl? RogerL.Welsch? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Lockheed's Constellation (Enthusiast Color Series) Zenith Pr? Steve Pace? ZenithPr? StevePace? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? Subjects-Engineering-General? Subjects-History-Military-Aviation? Subjects-History-Military-Weapons&Warfare? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Nonfiction-Transportation-General? Subjects-Professional&Technical-Engineering-General Harley-Davidson Sportster Performance Handbook (Performance Handbooks) Motorbooks Intl? Buzz Buzzelli? MotorbooksIntl? BuzzBuzzelli? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Harley-Davidson Classics 1903-1965 Illustrated Buyers Guide (Motorbooks International Illustrated Buyer's Guide Series) Motorbooks Intl? Jerry Hatfield? MotorbooksIntl? JerryHatfield? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-General Shelby American Racing History (Racing History) Motorbooks Intl? Dave Friedman? MotorbooksIntl? DaveFriedman? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Racing? Subjects-Professional&Technical-Engineering-General Subjects-Sports-Miscellaneous-MotorSports? Subjects-Sports-General? Triumph Motorcycles Twins Triples (Enthusiast Color Series) Motorbooks Intl? Timothy Remus? MotorbooksIntl? TimothyRemus? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Pictorial? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Professional&Technical-Engineering-General 洋書
https://w.atwiki.jp/lastfortsurvival/pages/40.html
→Minutemen →Watchers →Wildlings →Vindicators Roland Galande Penny Victoria Park Ji-Mi Lunn Patrick Winston Roland Attribute INT Skills Gains a shield of % TAC ATK and deals % TAC DMG to 1 random enemy % DMG Mitigation, +% HP % DMG Mitigation and +% HP for all Watchers in lineup Casting "Dauntless Charge" recovers % of TAC ATK as HP % TAC DMG Bonus and +% WPN DMG Mitigation for this Hero Gear Castle Tough Wall Self-Healing Alpha Bless Power Core Mental Control Laurel Attribute INT Skills Deals % TAC DMG to 3 back-row enemies % TAC DMG Bonus for this Hero % DMG Bonus and +% DMG Mitigation for all allied Heroes Casting "Flaming Strike" deals +% TAC DMG % TAC DMG Bonus and +% DMG Mitigation for this Hero Gear Hurricane Resolute Ripper Galande 🔊 CUT CRAP,SAY GOODBYE TO THE WORLD! Attribute STR Skills Deals % WPN DMG to 1 enemy Increases +% WPN DMG Bonus for this hero Targets lowest HP enemy Makes all enemies whose HP 50% take +% more DMG Casting "Ruling" deals +% WPN DMG Upon killing targetAdditional attack of % WPN DMG Gear Reaper Apocalypse Death Kelly Attribute STR Skills Deals % WPN DMG to 1 enemy % WPN DMG Bonus and +% LUK for this hero % DMG Bonus of all allied heroes Casting "Sweet" deals +% extra WPN DMG Attack lowest AGI enemyIncreases DMG on target for round by % Gear Reaper Apocalypse Death Resolute Penny 🔊 TIME'S UP! Attribute INT Skills Drones apply shield to lowest HP ally = to % TAC ATK.Maximum 3 drones can be active Grants +1 drone start of each roundBlocks % DMG with one drone lost when DPH taken is over 10% max HP Start of each round; each drone applies a shield = to % TAC ATK to random ally X-ray +2 extra drones, strengthen ALL drones apply shield = to % TAC ATK Drones amount can exceed its max each round. Extra drones attack enemy at end of round dealing % TAC DMG Gear Heal Castle Tough Wall Alpha Bless Hurricane Power Core Victoria Attribute INT Skills Deal % TAC DMG to 1 enemy target. This attack cannot kill the target. When other friendly heroes get a shield, get a Shield = to % of the former's shield. Attacking or casting skills increases the received damage of the enemy target by % for 2 rounds. Casting "Unsheathed Blade" deals additional DMG = to % of Hero's shield effect. When attacking additional DMG = to % of the enemy target HP will be dealt. When a skill is used, DMG above will be increased to 3 times (no more than 300% of the targets TAC DMG, and target will gradually recover within 2 rounds) Gear Resolute Self-Healing Hurricane Suzuki Ren Attribute INT Skills Deals % TAC DMG to all enemies and increases their TAC DMG taken +% for 2 rounds DMG Mitigation +% and initiative +% % DMG Mitigation and +% LUK for all allied Heroes during siege defense Casting "Espionage" will bestow a DMG Shield on the Lineup of % of TAC ATK Gear Hurricane Apocalypse Ripper Qian Qian Park Ji-Mi 🔊 GO AHEAD, I’VE GOT YOUR BACK! Attribute STR Skills Bestows DMG shield of % WPN ATK on all allied heroes % LUK(Single-Player Buff) Lineup Gathering Speed +% when gathering Casting "Electronic Shield" grants additional shield with % WPN ATK Gear Reaper Heal Apocalypse Death Lunn 🔊 SIX PLEIADES BEFORE. 30% FOR YOU, 70% FOR ME. FAIR ENOUGH, HUH? Attribute INT Skills Deals % TAC DMG to 1 random back row enemy % WPN DMG Mitigation for this hero % HP Casting "Money Shot" causes target to lose -% DMG Bonus for 2 rounds Gear Castle Tough Wall Hurricane Resolute Patrick 🔊 BETRAYAL? NO, I WAS ONLY TRYING TO MAKE A WISER CHOICE! Attribute INT Skills Deals % TAC DMG to 1 enemy % DMG Bonus Lineup Destructive Might increases on level up Casting "All-out Assault" will deal +% TAC DMG Gear Hurricane Apocalypse Death Winston 🔊 FOR THE PROTECTION OF ONE IMPORTANT TO ME! Attribute INT Skills Deals % TAC DMG to lowest AGI enemy % HP Lineup Destructive Might increases on level up Casting "Iron-Fist Missile" will deal +% TAC DMG Gear Hurricane Castle Tough Wall
https://w.atwiki.jp/oper/pages/1544.html
[その瞬間、年老いた侍女が同じ扉から入ってくる。男爵はがっかりして引き返す。二人の家僕が右手から入ってきて、アルコーヴから屏風を運び出す。元帥夫人は屏風の後ろに入り、侍女が付き従う。化粧台を中央に移動する。 家僕が右手の観音開きの扉を開ける。人々が入ってくる。公証人、料理長、その後ろから料理人見習いが献立表を持って。続いて流行品を売る女商人、フォリオ判を持った学者、それから動物商がちっちゃな小型犬数匹と猿一頭を連れて。ヴァルツァッキとアンニナがその後ろからすばしこく滑り込んで、左手前方に陣取る。貴族の母とその3人の娘が、皆喪服を着て、右の開き扉の前に立つ。執事がテナー歌手とフルート奏者を前方に案内する。男爵は後ろを向いて一人の家僕に合図をして、指示を与え、「この裏口から」と指し示す。] 3人の孤児 [叫んで] 3人のかわいそうな、高貴な孤児… 貴族の母 [彼女たちに、そんなに叫ばないように、跪くように合図する。] 3人の孤児 [跪いて] 3人のかわいそうな、高貴な孤児が閣下の御庇護をお願い申し上げます。 流行品商人(フランス語) [大声で] パメラの帽子。ゴルコンダの王妃の白粉。 動物売り かわいい猿。殿下がお命じなら、あちらにアフリカの鳥も持ってきております。 3人の孤児 父は若くして名誉の戦死をいたしました。父に倣うのが私たちの心よりの目標です。 流行品商人(フランス語) パメラの帽子!世界の逸品だよ! 動物売り オウムもお持ちできますよ、インド産もアフリカ産も。すごく小さくてしつけもすんでるワンちゃん。 [元帥夫人が前に出てくる。みんなお辞儀をする。男爵は左手前方に出てきている。] 元帥夫人 [男爵へ] 閣下に公証人をご紹介いたします。 [公証人は化粧台の方にお辞儀をして左手の男爵へ歩み寄り、元帥夫人はその化粧台に腰をおろす。元帥夫人は3人の孤児のうちの一番若い娘に近づくよう合図し、執事より財布を受け取り、それを娘に与え、額に口づけをしてやる。] [学者が前に進み出て、フォリオ判の自著を献呈しようとする。ヴァルツァッキが前に飛び出て、彼を脇におしのける。] ヴァルツァッキ(イタリアなまり) [黒く縁取られた一枚の新聞を引っ張り出して] クロシンプン!閣下のご愛顧を!スペテ中身は秘密書いてあるよ!コーイの方々タケにだよ!クロシンプン!とあるハクシャクのお館の奥のコペヤにシタイ!とある町人の女がアイジンとイッショに今日の晩3ジに夫をトクサツ! 元帥夫人 うわさ話はもってこないで! ヴァルツァッキ(イタリア語混じり) ご愛顧を!上流社会の秘密は tutte quante (すべて)。 元帥夫人 一つとして知りたくないわ!うわさ話はもってこないで! ヴァルツァッキ [残念そうにお辞儀をして飛び下がる。] 3人の孤児 [続いてその母はここまでの間に元帥夫人の手に口づけをしておく。退出の準備をして、若干わめいて] 幸運、祝福、常にあれ 閣下の高きお志に! そはくっきり刻まれたり 我らの心のうちに! [母とともに退場] [理髪師がせわしげに登場し、助手が大急ぎで上着の裾をひらめかせながら後を追ってくる。理髪師は元帥夫人をじっと見つめると、顔を暗くし、後ろに下がり、今日の姿を観察する。助手はその間に道具を化粧台の上に広げる。理髪師は何人かの人を後ろに押しのけ、作業するための空間を作る。] [フルート奏者はこの間に歩み出てカデンツァを吹き始める。短い熟考の後、理髪師は考えを決め、決然と元帥夫人の元へ急ぎ、理髪を始める。薔薇色、黒色、銀色の衣装を着た使者が入ってきて、手紙を持ってくる。執事が銀の盆を持ってすぐに応対し、手紙を元帥夫人のもとへ差し出す。理髪師は手を止めて、彼女が読めるようにする。助手が彼に鏝を新たに差し出し、理髪師はそれを振る。熱すぎるのである。助手は元帥夫人に目で問い、元帥夫人がうなずいた後、先の手紙を理髪師に差し出し、理髪師は笑いながらそれを使用して鏝を冷ます。] [歌手はこれまでに姿勢をととのえ、楽譜を手に持っている。家僕たちは右手、なるべく前方の位置に立ち、それ以外の人々は舞台後方に立つ。] テナー歌手(イタリア語) 愛に対して堅くよろわれた 胸が僕に反逆する 一瞬のうちに勝ってしまった 二つのさまようまなざしで。 ああ、なんともろいことか、火の矢に 氷の心は火の矢に対して! [理髪師は助手に鏝を渡し、歌手へ拍手する。それからまた巻き毛の調整に戻る。] [一人の召使いが、この間、小さな扉から男爵の小姓、司祭、および狩人を入れる。これら3人は怪しげな風体をしている。小姓は若い大柄な不作法な若者で、見るからに馬鹿で図々しい。小脇にモロッコ皮でできた箱を抱えている。司祭は粗野な田舎の助任司祭で、身長3シュー(90センチ)だが、力強くふてぶてしい外見の小人。側近の狩人はあたかも、寸法の合わないお仕着せに詰め込まれる前に堆肥の中で作業をしていたかのようである。司祭と小姓はどうやら先に入る権利を巡って争い、互いの足に躓いているようである。それから左側を通って自分たちの主人のもとへ進み、近くで止まる。] 男爵 [座って公証人に向かう。公証人は彼の前に立ち、指示を伺っている。低い声で] モルゲンガーベ(初夜の次の朝に夫が妻に送る贈り物)としてまったく別に、しかし…また持参金の前に…わかりますか、先生?…ガウナースドルフの城と領地を私に返す!負債をちゃらに、かつ特権はそのままに、我が亡き父が所有されていたときと同様にね。 公証人 [息を切らして] お許しを、いや高き男爵閣下に恐れ多くも進言申し上げますと、モルゲンガーベはたいてい夫から妻へのものであって、妻から夫へ [深く息をつく] 送ったり約定したりはできません。 男爵 それはたいていの場合だろう! 公証人 そうなっております。 男爵 しかし特別な場合には… [執事との長い相談の末、元帥夫人は献立の作成を指示し、料理長に応対する。] 公証人 形式からも規定からも他の方法はとれません。 男爵 [叫ぶ] 何かやり方があるだろう! 公証人 [おびえて] お慈悲を! 男爵 貴族の血統の栄えある子孫が恐れ多くもほとんど平民同然のファニナル嬢との夫婦の床についてやろうという場合に…おわかりですか?…神と世間の前に参席し、いわば皇帝陛下の面前に参席しようと… フルート奏者 [再び序奏を始める。] 男爵 こういう時には、コルポディバッコ!かくも高貴な方の献身に対する感謝をこめた恭順のしかるべき贈り物としてのモルゲンガーベをきちんと問題にできるだろう! [歌手は再開しようとするが、男爵が静かになるまでしばらく待つ。] テナー歌手 しかしかくも愛しい、私の苦悶は かくも甘い、私の傷は その苦しみが私の喜び 私を癒すことは暴政 ああ!なんともろいことか、氷… [歌手は突然歌いやめる] 公証人 [男爵へ、静かに] ひょっとしたら、別個のものとして 男爵 [静かに] 君はひどく融通がきかないね。私はモルゲンガーベとしてちょっとした善意がほしいんだよ! 公証人 [同様に] 持参金の付帯部分としてならば。 男爵 [抑えた声で] モルゲンガーベとして!いったい君は頭ん中にものごとが入っていかないのかね? 公証人 生前贈与として、あるいは… 男爵 [激高して机を叩き、叫んで] モルゲンガーベとして! 公証人 [おびえて隅に引き下がる。] 元帥夫人 [歌手に合図して呼び、手を差し出して口づけを許す。] 歌手とフルート奏者 [深くお辞儀をして退場する。] 男爵 [何事も起きなかったかのように、歌手に愛想よく合図し、それから自身の召使いたちのもとへ行く。彼の百姓風の小姓を愛撫し、額の髪を後ろになでつけてやる。それから誰かを捜すかのように小扉に向かい、これを開け、その後ろを覗き、いらいらし出し、寝台のまわりを嗅ぎまわり、頭を振り、再び前に出てくる。] 元帥夫人 [手鏡を見ながら、声を抑えて] ねえヒッポリット、今日は私をおばあさんに仕立てたのね。 [狼狽した理髪師は熱に浮かされたように元帥夫人の巻き髪にとりかかり、新しくやり直す。元帥夫人の表情は寂しげなままである。] 元帥夫人 [肩越しに執事へ] みなを下がらせて! [家僕たちは連なって訪問者たちを扉の向こうへ押しやり、扉を閉める。学者だけがとどまり、執事が彼を元帥夫人に案内し、彼女との対話を、ヴァルツァッキ、アンニナと男爵の寸劇が終わるまで続ける。ヴァルツァッキとその後ろからアンニナは、舞台上の周囲全員の背後から男爵に忍び寄り、過度に慇懃に自己紹介する。] ヴァルツァッキ [男爵へ] 閣下は何かおサカシです。わかりマス。閣下は何かコヨーポーです。ごホーシできますよ、チョータツできますよ。 男爵 [後ろに下がる] 君は誰だ、何を知ってる? ヴァルツァッキ 閣下のおカオに書いてありマス。アンティークのように。 come statua di Giove (ユピテルの像のように)。 アンニナ アンティークのように… di Giove (ユピテルの)。 男爵 こっちはましな人間のようだな。 ヴァルツァッキとアンニナ [膝をつく] コーキなる閣下、私たちをお供に従わせてください。 男爵 君たちを? ヴァルツァッキ 叔父と姪で、二人クミはなんでもよりよくいきマス。 Per esemplo (例えば)閣下はとある若いご婦人を… アンニナ 姪と叔父…よりよくいきマス。 男爵 どこからその話を知った?お前、悪魔め。 ヴァルツァッキ [熱心に] 閣下はシットなさっている dico per dire(言うまでもない)! ヴァルツァッキとアンニナ キョーか明日にはテキマス。 Affare nostro(我々にお任せを)! ご婦人のスペテの足取り、ご婦人の乗るスペテの車、ご婦人に届くスペテの手紙…そこに我らが!隅に、暖炉に、そこに我らが…寝台の後ろに、劇場の中に、戸棚の中に、屋根の下に、そこに我らが! 閣下を決して失望させません! [二人は手を差し出し、金を要求するが、男爵は気づかないふりをする。] 男爵 [抑えた声で] うむ!このウィーンてとこは何でもありだな。とりあえず試しにだけだ。マリアンデルという女中を知っているか? アンニナ [抑えた声で] マリアンデル? 男爵 この閣下のお宅の小間使いだ。 ヴァルツァッキ [静かにアンニナへ] Sai tu? Cosa vuole? (知ってるか?どうしたい?) アンニナ Niente! (何にも!) ヴァルツァッキ [男爵へ] モチロン、モチロン、この姪が手配いたしマス。モチロン、モチロン、閣下!そこに我らが! [ここまでに元帥夫人は立ち上がっている。 理髪師は深くお辞儀をして、急いで去る。助手が後を追う。] 男爵 [二人のイタリア人を残して離れ、元帥夫人へ] 閣下の素敵な小間使いの秘密の内密の同類をご紹介いたしたいのですが。 [うぬぼれて] 似ているさまといったら、人が言うには、間違えようないと。 元帥夫人 [うなずく] 男爵 レオポルト、箱を! [若い小姓がぎこちなく箱を差し出す。] 元帥夫人 [少し笑いながら] 閣下に心よりお祝い申し上げます。 男爵 [箱を取り、小姓に下がるように合図する] そしてこちらがとにかく銀の薔薇です。 [開けようとする] 元帥夫人 そのまま入れておいてください。恐れいりますが、あちらに置いてくださいな。 男爵 あるいはさっきの小間使いに受け取らせるべきでは?彼女を呼びましょうか? 元帥夫人 いいえ、ただ置いておいてください。彼女は今忙しいのです。ですがご安心ください。私からオクタヴィアン伯爵にお願いをしますし、彼は喜んで私の頼みを聞きますし、閣下の騎士として薔薇を持って花嫁様のもとへ先駆けいたしますわ。 [無造作に] とにかくただそこに置いてください。そして、御兄様、お暇申し上げますわ。もうここからお帰りください。私は教会へ参ります。 [家僕が観音開きの扉を開ける。] 男爵 閣下には本日は尽きせぬ御厚意を賜り、深く痛み入ります。 [お辞儀をし、儀礼的に去る。公証人は、合図を受けて、その後に従う。そのまた後ろから男爵の3人の連れが不格好な身のこなしで続く。 二人のイタリア人が音もなくしなやかに、気づかれないようにそこに加わる。 執事が退出する。家僕たちが扉を閉める。] 元帥夫人 [一人] 行ったわ、あの威張った、悪い奴。そしてそのかわいい若い子を捕まえて、つまらない金にありついて、 [嘆息] まるでそれが当然かのように。そしてそれでもまだ、自分の方こそが彼女に何かを与えていると錯覚しているんだわ。だけどなぜ腹を立てるの?それが世の流れじゃない。 覚えているわ、私も娘だった時を。修道院から出たてで、神聖な結婚生活に入るように命じられたのよ。 [手鏡を取り上げる] 彼女は今どこへ?ええ、 [嘆息] 過ぎた年の雪をお探し! [穏やかに] そう命じるわ。でもこんなことが本当にありえるのかしら、私はあの小さなレジ(テレーズの愛称)だった、そして瞬時に私はまたおばあさんになってしまった…おばあさん、老元帥夫人!「見て、あそこに老侯爵夫人レジが行くよ!」 [穏やかに] なぜこんなことが起きうるの?愛しい神はなぜこんなふうになさるの?私はでもずっと同じだったのに。それにもし神が物事をそうなさらなければならないのなら、なぜそれをその場で私に見させるの、こんなにはっきりとした感覚で?なぜ私から隠してくださらないの? [常により静かに] すべて秘密だわ、あまりに多くの秘密。そして人はこの下にいて [嘆息] 耐えるのだわ。そして「どのように」に [きわめて穏やかに] すべての違いがあるのよ。 オクタヴィアン [右手から入ってくる。朝用の服に乗馬靴。] 元帥夫人 [静かに、半笑いで] あら!戻ってきたの? オクタヴィアン [情愛を込めて] そしてあなたは悲しいんだね! 元帥夫人 もうすでに過ぎたわ。知っているでしょう、私のことを。半数の時は楽しく、半数の時は悲しく。私の思考は全く指図できないのよ。 オクタヴィアン 知っているよ、どうして悲しいのか、愛しい人。おびえて不安になったからでしょう。ねえ、そうじゃない?告白しなよ。不安になったんでしょう、ねえ、ねえ、僕のことが、僕のことが! 元帥夫人 ちょっとはね、たぶん。でももう元気になったし、自分に言い聞かせたのよ。もうこうしていてはいけないって。だってこうしていられる? オクタヴィアン [楽しく] だってあれは元帥じゃなくて、ただのひょうきんな従兄弟殿で、そしてあなたは僕のもの、僕のものだ! 元帥夫人 [彼を押しやる] タヴェル(オクタヴィアンの愛称)、多くを抱きしめすぎないで。多くを抱きしめすぎる人は、何をもしっかりとつかむことができないわ。 オクタヴィアン [情熱的に] 言ってよ、あなたは僕のものだって!僕の! 元帥夫人 おお!さあおとなしくして、お利口に、おとなしく、いい子になって。 オクタヴィアン [生き生きと返答しようとする] 元帥夫人 いいえ、おねがい、とにかく男がみなそうであるようにはならないで。 オクタヴィアン [疑い深く飛び上がって] 男がみなそうであるように? 元帥夫人 [素早く答えて] 元帥やオックス兄のようによ。 オクタヴィアン [落ち着かずに] ビシェッテ! 元帥夫人 [強調して] とにかく男がみなそうであるようにはならないで。 オクタヴィアン [激高して] 男がみなどんなかなんて知らないよ。 [突然優しく] 知っているのはただ、あなたを愛していることだけ、ビシェッテ。彼女とあなたが入れ替わってしまったよ。ビシェッテ、彼女はどこにいるんだ! 元帥夫人 [穏やかに] 彼女はちゃんとここにいるわ、恋人さま。 オクタヴィアン そう、ここにいるの?なら僕は彼女を捕まえて、二度とまた僕から逃げないようにしなきゃ! [情熱的に] 彼女をしっかりつかんでおきたいよ、しっかりと、彼女が誰のものか感じるように、僕のものだってことを!そしたら僕が彼女のものに、彼女が僕のものになるんだ! 元帥夫人 [彼から身を引きはがして] ああ、いい子にして、カンカン。私は、すべての限りあるものの弱さを強く感じずにはいられない気分なの。私の心の中までは、何もとどめておくことはできないし、何もつかむことはできないわ。すべては溶けて、指の間から、すべてはほどけて、私たちがつかんだ後に、すべては霞と夢のように溶けてなくなるの。 オクタヴィアン いったいぜんたい、なんて言い方をするんですか!ただ単に僕に対して、僕になんか執着していないって示したいんでしょう。[泣く] 元帥夫人 いい子にして、カンカン! オクタヴィアン [より強く泣く] 元帥夫人 [穏やかに] さあ今は坊やを慰めないとね。遅かれ早かれ、坊やは私を見捨てるのだから。 [彼の髪をなでる。] オクタヴィアン 遅かれ早かれ? [怒って] 今日はいったい、誰がそんな言葉をあなたの口に載せたの、ビシェッテ? 元帥夫人 この言葉がそんなにあなたを傷つけたなんて! オクタヴィアン [耳をふさぐ] 元帥夫人 時はね、根本的に、カンカン、時は物事を何も変えないわ。時は奇妙なものよ。人がそのようにしてだらだらと生きていると、時はまったくの無よ。けれどもあるとき突然、時以外は何も感じなくなるの。時は私たちのまわり中にあって、私たちの中にもあるわ。顔の中にさらさらと流れ、鏡の中にさらさらと流れ、私の眠りの中に流れるの。そして私とあなたの間、そこにも流れているわ。音もなく、砂時計のように。 [暖かく] ああ、カンカン!時々私には時が流れるのが聞こえるの、とめどなくね。 [静かに] 時々、夜中に起きて、すべての時計を、すべて止めるの。それでも時の前で恐れてはいけないわ。時もまた、私たち全てをお作りになった父の創造物なの。 オクタヴィアン [より穏やかな愛情をこめて] 僕の美しい恋人、力ずくで悲しくなりたいのですか?僕がここにいるのに、僕の指があなたの指に絡みついているのに、僕の目があなたの目を求めるのに、僕がここにいるのに…それなのにあなたはそんな気分なんですか? 元帥夫人 [きわめてまじめに] カンカン、今日か明日か、あなたは去り、私の代わりに別の人を求めるわ。もっと若くて、 [すこしためらって] 私より美しい人を。 オクタヴィアン 言葉で僕を追い払いたいの?手では追い払うことができないから? 元帥夫人 [穏やかに] その日は自ずとやってくるわ。今日か明日か、その日はくるの、オクタヴィアン。 オクタヴィアン 今日じゃない、明日じゃない。愛しているんだ。 [興奮して] 今日じゃない、明日じゃない!そういう日が来なければならないとしても、そんなの考えない。そんな最低な日!そんな日は目にしたくないよ。 [きわめて情熱的に] そんな日のことは考えたくない。なぜあなたも僕も苦しめるの、テレーズ? 元帥夫人 今日か明日かまたその次の日か。あなたを苦しめたくはないの、愛しい人。私が言っていることは真実よ。それは私に語りかけるのと同様にあなたにも語りかけているわ。私はそれをあなたにも私にも軽くしたいの。軽くとらなければ、軽い心で、そして軽い手でとらえて捕まえて、とららえて放すの…もしそうでなければ、人生が彼らに罰を下し、神も彼らをあわれまないわ。 オクタヴィアン 今日はまったく神父のようにお話なさるんですね。それはすなわち、もうあなたから、息がなくなるまでキスしてもらうことはないということですか? 元帥夫人 カンカン、もうお行きなさい。 [優しく] そっとしておいてちょうだい。私は今から教会にいって、その後グライフェンクラウ叔父のもとへ行くわ。ご老体で体がご不自由なの。そして彼と食事をします。お喜びになるのよ。午後にはあなたに使いを送るわ、カンカン。その時に [ためらって] プラーターに行くかどうか知らせるわ。行く場合は、もしあなたさえよければ、あなたもプラーターに来て、私の馬車の隣で馬に乗るといいわ…今はいい子に、私の言うとおりにして。 オクタヴィアン [静かに] お命じのとおりに、ビシェッテ! [退場する] 元帥夫人 [独り、激しい勢いで立ち上がる] 一度もキスをしなかったわ。 [激しく鈴を鳴らす。] [家僕たちが右手から現れる] 伯爵様を追いかけて、もう一言こちらでお話ししたいとお願いして。 家僕たち [急いで退場] 元帥夫人 [忙しく動いて] 彼を行かせてしまって、そして一度もキスをしなかったわ。 [家僕たちが息を切らして戻ってくる。] 家僕一 伯爵様はすでに行かれて… 家僕二 門につくと同時に馬に乗り… 家僕三 厩務員が待っておりまして、 家僕四 門につくと同時に馬に乗り、風のように。 家僕一 角を風のように曲がり、 家僕二 後を追い… 家僕三 叫びました… 家僕四 が無駄でした。 元帥夫人 わかりました。もう結構よ。 [家僕たちは下がる。] 元帥夫人 [呼ぶ] モハメットを! [子供の黒人が、鈴を鳴らしながら入ってきてお辞儀する] 元帥夫人 そこのそれを持って… 黒人 [モロッコ皮の箱を一心に取り上げる] 元帥夫人 どこに持って行くか、聞いていないでしょう。オクタヴィアン伯爵よ。お渡ししてこういいなさい。 [きわめて穏やかに] この中に銀の薔薇があります…伯爵様はどのみちご存じよ… [黒人は走り去る。] 元帥夫人 [頭を手にもたせかけ、そのまま、夢見るような姿勢で幕切れまでいる。] In diesem Augenblick tritt eine alte Kammerfrau durch die gleiche Türe ein. Der Baron zieht sich enttäuscht zurück. Zwei Lakaien kommen von rechts herein, bringen einen Wandschirm aus dem Alkoven. Die Marschallin tritt hinter den Wandschirm, die alte Kammerfrau mit ihr. Der Frisiertisch wird vorgeschoben in die Mitte. Lakaien öffnen die Flügeltüren rechts. Es treten ein der Notar, der Küchenchef, hinter diesen ein Küchenjunge, der das Menübuch trägt. Dann die Marchand de Modes, ein Gelehrter mit einem Folianten und der Tierhändler mit winzig kleinen Hunden und einem Aeffchen. Valzacchi und Annina, hinter diesen rasch gleitend, nehmen den vordersten Platz links ein. Die adelige Mutter mit ihren 3 Töchtern, alle in Trauer, stellen sich in den rechten Flügel. Der Haushofmeister führt den Tenor und den Flötisten nach vorne. Baron rückwärts winkt einen Lakaien zu sich, gibt ihm den Auftrag, zeigt „Hier durch die Hintertür.“ DIE DREI WAISEN schreiend Drei arme, adelige Waisen - DIE ADELIGE MUMR bedeutet ihnen, nicht so zu schreien und niederzuknien. DIE DREI WAISEN niederkniend Drei arme, adelige Waisen erflehen Dero hohen Schutz! MODISTIN laut Le chapeau Paméla. La poudre à la reine de Golconde. DER TIERHÄNDLER Schöne Affen, wenn Durchlaucht schaffen, auch Vögel hab’ ich da aus Afrika. DIE DREI WAISEN Der Vater ist jung auf dem Felde der Ehre gefallen, ihm dieses nachzutun ist unser Herzensziel. MODISTIN Le chapeau Paméla! C’est la merveille du monde! DER TIERHÄNDLER Papageien hätt’ ich da, aus Indien und Afrika. Hunderln so klein und schon zimmerrein. Die Marschallin tritt hervor, alles verneigt sich. Baron ist links vorgekommen. MARSCHALLIN zum Baron Ich präsentiere Euer Liebden hier den Notar. Der Notar tritt mit Verneigung gegen den Frisiertisch, wo sich die Marschallin niedergelassen, zum Baron links. Marschallin winkt die jüngste der drei Waisen zu sich, lässt sich vom Haushofmeister einen Geldbeutel reichen, gibt ihn dem Mädchen, indem sie es auf die Stirn küsst. Gelehrter will vortreten, seine Folianten überreichen. Valzacchi springt vor, drängt ihn zur Seite. VALZACCHI ein schwarzgerändertes Zeitungsblatt hervorziehend Die swarze Seitung! Fürstlike Gnade! Alles ’ier ge’eim gesrieben! nur für ’ohe Persönlikeite. Die swarze Seitung! Eine Leikname in Interkammer von eine gräflike Palais! Eine Bürgersfrau mit der Amante vergiften den Hehemann diese Nackt um dreie Huhr! MARSCHALLIN Laß Er mich mit dem Tratsch in Ruh! VALZACCHI In Gnaden! tutte quante Vertraulikeite aus die große Welt. MARSCHALLIN Ich will nix wissen! Laß er mich mit dem Tratsch in Ruh! VALZACCHI mit bedauernder Verbeugung springt zurück. DIE DREI WAISEN zuletzt auch die Mutter, haben der Marschallin die Hand geküsst, zum Abgehen bereit, etwas plärrend Glück und Segen allerwegen Euer Gnaden hohem Sinn! Eingegraben steht erhaben er in unserem Herzen drin. gehen ab samt der Mutter Der Friseur tritt hastig auf, der Gehilfe stürzt ihm mit fliegenden Rockschößen nach. Der Friseur fasst die Marschallin ins Auge; verdüstert sich, tritt zurück; er studiert ihr heutiges Aussehen. Der Gehilfe packt indessen aus, am Frisiertisch. Der Friseur schiebt einige Personen zurück, sich Spielraum zu schaffen. Der Flötist ist inzwischen vorgetreten und beginnt seine Cadenz. Die Lakaien haben rechts ganz vorne Stellung genommen, andere stehen im Hintergrunde. Nach einer kurzen Überlegung hat der Friseur seinen Plan gefaßt, er eilt mit Entschlossenheit auf die Marschallin zu, beginnt zu frisieren. Ein Lauffer in rosa, schwarz und silber, tritt auf, überbringt ein Billet.Haushofmeister mit Silbertablett ist schnell zur Hand, präsentiert es der Marschallin. Friseur hält inne, sie lesen zu lassen. Gehilfe reicht ihm ein neues Eisen, Friseur schwenkt es es ist zu heiß. Gehilfe reicht ihm nach fragendem Blick auf die Marschallin, die nickt, das Billet, das er lächelnd verwendet, um das Eisen zu kühlen. Der Sänger hat sich in Positur gestellt, mit dem Notenblatt in der Hand. DER TENOR Di rigori armato il seno contro amor mi ribellai, ma fui vinto in un baleno in mirar due vaghi rai. Ahj! che resiste puoco a stral di fuoco Cor di gelo di fuoco a stral! Der Friseur übergibt dem Gehilfen das Eisen und applaudiert dem Sänger. Dann fährt er im Arrangement des Lockenbaues fort. Ein Bedienter hat indessen bei der kleinen Tür den Kammerdiener des Barons, den Almosenier und den Jäger eingelassen. Es sind drei bedenkliche Gestalten. Der Kammerdiener ist ein junger großer Lümmel, der dumm und frech aussieht. Er trägt unterm Arm ein Futteral aus rotem Saffian. Der Almosenier ist ein verwilderter Dorfkooperator, ein drei Schuh hoher, aber stark und verwegen aussehender Gnom. Der Leibjäger mag, bevor er in die schlecht sitzende Livree gesteckt wurde, Mist geführt haben. Der Almosenier und der Kammerdiener scheinen sich um den Vortritt zu streiten und steigen einander auf die Füße. Sie steuern längs der linken Seite auf ihren Herrn zu, in dessen Nähe sie Halt machen. BARON sitzend zum Notar, der vor ihm steht, seine Weisungen entgegen nimmt. halblaut Als Morgengabe ganz separatim jedoch - und vor der Mitgift - bin ich verstanden, Herr Notar? - kehrt Schloß und Herrschaft Gaunersdorf an mich zurück! Von Lasten frei und ungemindert an Privilegien, so wie mein Vater selig sie besessen hat. NOTAR kurzatmig Gestatten, hochfreiherrliche Gnaden die submisseste Belehrung, dass eine Morgengabe wohl vom Gatten an die Gattin, nicht aber von der Gattin an den Gatten tief aufatmend bestellet und stipuliert zu werden, fähig ist. BARON Das mag wohl sein! NOTAR Das ist so. BARON Aber im besondern Fall - Nach längerer Rücksprache mit dem Haushofmeister beschäftigt sich die Marschallin mit der Abfassung des Menus und fertigt dann den Küchenchef ab. NOTAR Die Formen und die Präscriptionen kennen keinen Unterschied. BARON schreit Haben ihn aber zu kennen! NOTAR erschrocken In Gnaden! BARON Wo eines hochadeligen Blutes blühender Spross sich herablässt im Ehebette einer so gut als bürgerlichen Mamsell Faninal - bin ich verstanden? - acte de présence zu machen vor Gott und der Welt und sozusagen angesichts kaiserlicher Majestät, - DER FLÖTIST beginnt wieder zu präludieren. BARON da wird, corpo di Bacco! von Morgengabe als geziemendem Geschenk dankbarer Devotion für die Hingab’ so hohen Blutes sehr wohl die Rede sein! Der Sänger macht Miene wieder anzufangen, wartet noch, bis der Baron still wird. DER TENOR Ma si caro è’l mio tormento dolce è si la piaga mia, Ch’il penare è mio contento e’l sanarmi è tirannia. Ahi! che resiste, puoco cor ..... bricht jäh ab NOTAR zum Baron leise Vielleicht, dass man die Sache separatim BARON leise Er ist ein schmählicher Pedant als Morgengabe will ich das Gütel! NOTAR ebenso Als einen wohl verklausulierten Teil der Mitgift. BARON halblaut Als Morgengabe! geht das denn nicht in seinen Schädel? NOTAR Als eine Schenkung inter vivos oder - BARON schlägt wütend auf den Tisch, schreiend Als Morgengabe! NOTAR zieht sich erschrocken in die Ecke zurück. MARSCHALLIN winkt den Sänger zu sich, reicht ihm die Hand zum Kuss. SÄNGER NEBST FLÖTIST ziehen sich unter tiefen Verbeugungen zurück. BARON tut, als ob nichts geschehen wäre, winkt dem Sänger leutselig zu, tritt dann zu seiner Dienerschaft, streicht dem Leiblakai die bäurisch in die Stirn gekämmten Haare hinaus; geht dann, als suchte er jemand, zur kleinen Tür, öffnet sie, spioniert hinaus, ärgert sich, schnüffelt gegen’s Bett, schüttelt den Kopf, kommt dann wieder vor. MARSCHALLIN sieht sich in dem Handspiegel, halblaut Mein lieber Hippolŷte heut’ haben Sie ein altes Weib aus mir gemacht. Der Friseur mit Bestürzung, wirft sich fieberhaft auf den Lockenbau der Marschallin und verändert ihn aufs Neue. Das Gesicht der Marschallin bleibt traurig. MARSCHALLIN über die Schulter, zum Haushofmeister Abtreten die Leut’! Die Lakaien eine Kette bildend, schieben die aufwartenden Personen zur Tür hinaus, die sie dann verschließen. Nur der Gelehrte, vom Haushofmeister ihr zugeführt, bleibt noch im Gespräch mit der Marschallin bis zum Schluss des Intermezzos zwischen Valzacchi, Annina und dem Baron. Valzacchi und hinter ihm Annina, haben sich im Rücken aller rings um die Bühne zum Baron hinübergeschlichen und präsentieren sich ihm mit übertriebener Devotion. VALZACCHI zum Baron Ihre Gnade sukt etwas. Ik seh. Ihre Gnade at eine Bedürfnis. Ik kann dienen, ik kann besorgen. BARON tritt zurück Wer ist Er, was weiß Er? VALZACCHI Ihre Gnade Gesikt sprikt ohne Sunge. Wie ein Hantike come statua di Giove. ANNINA Wie ein Hantike ... di Giove. BARON Das ist ein besserer Mensch. VALZACCHI und ANNINA fällt auf die Knie Erlaukte Gnade, attachieren uns an Sein Gefolge BARON Euch? VALZACCHI Onkel und Nickte Su sweien maken alles besser. Per esemplo. Ihre Gnade at eine junge Frau - ANNINA Nichte und Onkel. ... alles besser. BARON Woher weiß Er denn das, Er Teufel Er? VALZACCHI eifrig Ihre Gnade ist in Eifersukt dico per dire! VALZACCHI und ANNINA Eut oder morgen könnte sein. Affare nostro! Jede Sritt die Dame sie tut, jede Wagen die Dame steigt, jede Brief, die Dame bekommt - wir sind da! An die Ecke, in die Kamin, wir sind da - ’inter die Bette, in die Komodie, in eine Schranke, unter die Dache, wir sind da! Ihre Gnade wird nicht bedauern! Sie halten ihm die Hände hin, Geld heischend, er tut, als bemerke er es nicht BARON halblaut Hm! Was es alles gibt in diesem Wien? Zur Probe nur kennt Sie die Jungfer Mariandel? ANNINA halblaut Mariandel? BARON Das Zofel hier im Haus bei Ihrer Gnaden. VALZACCHI leise zu Annina Sai tu? Cosa vuole? ANNINA Niente! VALZACCHI zum Baron Sikker, sicker, mein Nickte wird besorgen, seien sikker, Ihre Gnade! Wir sind da! Die Marschallin ist aufgestanden. Friseur nach tiefer Verbeugung eilt ab. Der Gehilfe hinter ihm. BARON Baron die beiden Italiener stehen lassend, zur Marschallin Darf ich das Gegenstück discret vertraulich zu Dero sauberm Kammerzofel präsentieren? selbstgefällig Die Ähnlichkeit soll, hör’ ich, unverkennbar sein. Marschallin nickt BARON Leopold, das Futteral! Der junge Kammerlakai präsentiert linkisch das Futteral. MARSCHALLIN ein bisschen lachend Ich gratuliere Euer Liebden sehr. BARON nimmt das Futteral ab und winkt ihm zurückzutreten Und da ist nun die silberne Rose. will’s aufmachen MARSCHALLIN Lassen nur drinnen. Haben die Gnad’ und stellen’s dorthin. BARON Vielleicht das Zofel soll’s übernehmen? Ruft man ihr? MARSCHALLIN Nein, lassen nur. Die hat jetzt keine Zeit. Doch sei Er sicher den Grafen Octavian bitt’ ich ihm auf, er wird’s mir zu lieb schon tun und als Euer Liebden Kavalier vorfahren mit der Rosen zu der Jungfer Braut. leichthin Stellen indeß nur hin. Und jetzt, Herr Vetter, sag’ ich ihm Adieu. Man retiriert sich jetzt von hier. Ich werd’ jetzt in die Kirchen gehn. Die Lakaien öffnen die Flügeltür. BARON Euer Gnaden haben heut’ durch unversiegte Huld mich tiefst beschämt. Er macht die Reverenz, entfernt sich unter Ceremoniell. Der Notar hinter ihm, auf seinen Wink. Seine drei Leute hinter diesem, in mangelhafter Haltung. Die beiden Italiener lautlos und geschmeidig, schließen sich unbemerkt an. Haushofmeister tritt ab. Lakaien schließen die Tür. MARSCHALLIN allein Da geht er hin, der aufgeblasne, schlechte Kerl, und kriegt das hübsche junge Ding und einen Pinkel Geld dazu, seufzend als müßt’s so sein. Und bildet sich noch ein, dass er es ist, der sich was vergibt. Was erzürn’ ich mich denn? ’s ist doch der Lauf der Welt. Kann mich auch an ein Mädel erinnern, die frisch aus dem Kloster ist in den heiligen Ehstand kommandiert word’n. nimmt den Handspiegel Wo ist die jetzt? Ja, seufzend such’ dir den Schnee vom vergangenen Jahr! ruhig Das sag’ ich so aber wie kann das wirklich sein, dass ich die kleine Resi war, und dass ich auch einmal die alte Frau sein werd’.... Die alte Frau, die alte Marschallin! „Siegst es, da geht die alte Fürstin Resi!“ ruhig Wie kann denn das geschehn? Wie macht denn das der liebe Gott? Wo ich doch immer die gleiche bin. Und wenn er’s schon so machen muss, warum lasst er mich zuschau’n dabei, mit gar so klarem Sinn? Warum versteckt er’s nicht vor mir? immer leiser Das alles ist geheim, so viel geheim, und man ist dazu da, seufzend dass man’s ertragt. Und in dem „Wie“ sehr ruhig da liegt der ganze Unterschied. OCTAVIAN tritt von rechts ein, in einem Morgenanzug mit Reitstiefeln. MARSCHALLIN ruhig, mit halbem Lächeln Ach! Du bist wieder da? OCTAVIAN zärtlich Und Du bist traurig! MARSCHALLIN Es ist ja schon vorbei. Du weißt ja, wie ich bin. Ein halb Mal lustig, ein halb Mal traurig. Ich kann halt meine Gedanken nicht kommandiern. OCTAVIAN Ich weiß, warum du traurig bist, mein Schatz. Weil du erschrocken bist und Angst gehabt hast. Hab’ ich nicht recht? Gesteh’ mir nur Du hast Angst gehabt, du Süße, du Liebe, um mich, um mich! MARSCHALLIN Ein biss’l vielleicht, aber ich hab’ mich erfangen und hab’ mir vorgesagt Es wird schon nicht dafür steh’n. Und wär’s dafür gestanden? OCTAVIAN heiter Und es war kein Feldmarschall, nur ein spaßiger Herr Vetter, und du gehörst mir, du gehörst mir! MARSCHALLIN ihn abwehrend Taverl, umarm’ Er nicht zu viel Wer all zu viel umarmt, der hält nichts fest. OCTAVIAN leidenschaftlich Sag’, dass du mir gehörst! Mir! MARSCHALLIN Oh! sei Er jetzt sanft, sei Er gescheidt und sanft und gut. OCTAVIAN will lebhaft erwidern MARSCHALLIN Nein, bitt’ schön, sei Er nur nicht, wie alle Männer sind. OCTAVIAN misstrauisch auffahrend Wie alle Männer? MARSCHALLIN schnell gefasst Wie der Feldmarschall und der Vetter Ochs. OCTAVIAN nicht dabei beruhigt Bichette! MARSCHALLIN mit Nachdruck Sei Er nur nicht, wie alle Männer sind. OCTAVIAN zornig Ich weiß nicht, wie alle Männer sind. plötzlich sanft Weiß nur, dass ich dich lieb hab’, Bichette, sie haben dich mir ausgetauscht. Bichette, wo ist sie denn! MARSCHALLIN ruhig Sie ist wohl da, Herr Schatz. OCTAVIAN Ja, ist sie da? Dann will ich sie halten, dass sie mir nicht wieder entkommt! leidenschaftlich Pakken will ich sie, pakken, dass sie es spürt, zu wem sie gehört zu mir! denn ich bin ihr, und sie ist mein! MARSCHALLIN sich ihm entwindend Oh, sei Er gut, Quinquin. Mir ist zu Mut, dass ich die Schwäche von allem Zeitlichen recht spüren muss. Bis in mein Herz hinein, wie man nichts halten soll, wie man nichts packen kann. Wie alles zerläuft, zwischen den Fingern, wie alles sich auflöst, wonach wir greifen, alles zergeht wie Dunst und Traum. OCTAVIAN Mein Gott, wie Sie das sagt! Sie will mir doch nur zeigen, dass sie nicht an mir hängt. er weint MARSCHALLIN Sei Er doch gut, Quinquin! OCTAVIAN weint stärker. MARSCHALLIN ruhig Jetzt muss ich noch den Buben dafür trösten, dass er mich über kurz oder lang wird sitzen lassen. Sie streichelt ihn. OCTAVIAN Über kurz oder lang? heftig Wer legt dir heut’ die Wörter in den Mund, Bichette? MARSCHALLIN Dass Ihn das Wort so kränkt! OCTAVIAN er hält sich die Ohren zu. MARSCHALLIN Die Zeit im Grunde, Quinquin, die Zeit, die ändert doch nichts an den Sachen. Die Zeit, die ist ein sonderbar’ Ding. Wenn man so hinlebt, ist sie rein gar Nichts. Aber dann auf einmal, da spürt man nichts als sie. Sie ist um uns herum, sie ist auch in uns drinnen. In den Gesichtern rieselt sie, im Spiegel da rieselt sie, in meinen Schläfen fließt sie. Und zwischen mir und dir, da fließt sie wieder. Lautlos, wie eine Sanduhr. warm Oh, Quinquin! Manchmal hör’ ich sie fließen, unaufhaltsam. leise Manchmal steh’ ich auf mitten in der Nacht und lass die Uhren alle, alle stehn. Allein man muss sich auch vor ihr nicht fürchten. Auch sie ist ein Geschöpf des Vaters, der uns alle erschaffen hat. OCTAVIAN mit ruhiger Zärtlichkeit Mein schöner Schatz, will Sie sich traurig machen mit Gewalt? Wo Sie mich da hat, wo ich meine Finger in Ihre Finger schlinge, wo ich mit meinen Augen Ihre Augen suche, wo Sie mich da hat - gerade da ist Ihr so zu Mut? MARSCHALLIN sehr ernst Quinquin, heut’ oder morgen geht Er hin und gibt mich auf um einer andern willen, die jünger etwas zögernd und schöner ist als ich. OCTAVIAN Willst Du mit Worten mich von dir stoßen, weil Dir die Hände den Dienst nicht tun? MARSCHALLIN ruhig Der Tag kommt ganz von selber. Heut’ oder morgen kommt der Tag, Octavian. OCTAVIAN Nicht heut, nicht morgen ich hab’ dich lieb. gesteigert Nicht heut’, nicht morgen! Wenn’s so einen Tag geben muss, ich denk’ ihn nicht. Solch schrecklichen Tag! Ich will den Tag nicht seh’n. sehr leidenschaftlich Ich will den Tag nicht denken. Was quälst du dich und mich, Theres’? MARSCHALLIN Heut’ oder morgen oder den übernächsten Tag. Nicht quälen will ich Dich, mein Schatz. Ich sag’, was wahr ist, sag’s zu mir so gut als wie zu dir. Leicht will ich’s machen dir und mir. Leicht muss man sein, mit leichtem Herz und leichten Händen halten und nehmen, halten und lassen... Die nicht so sind, die straft das Leben und Gott erbarmt sich ihrer nicht. OCTAVIAN Sie spricht ja heute wie ein Pater. Soll das heißen, dass ich Sie nie mehr werde küssen dürfen bis Ihr der Atem ausgeht? MARSCHALLIN Quinquin, Er soll jetzt geh’n, sanft Er soll mich lassen. Ich werd’ jetzt in die Kirchen geh’n, und später fahr ich zum Onkel Greifenklau, der alt und gelähmt ist, und eß’ mit ihm Das freut den alten Mann. Und Nachmittag werd’ ich Ihm einen Lauffer schicken, Quinquin, und sagen lassen, zögernd ob ich in den Prater fahr’. Und wenn ich fahr’, und Er hat Lust, so wird Er auch in den Prater kommen und neben meinem Wagen reiten... jetzt sei Er gut und folg’ Er mir. OCTAVIAN leise Wie Sie befiehlt, Bichette! Er geht ab. MARSCHALLIN allein, fährt leidenschaftlich auf Ich hab’ ihn nicht einmal geküsst. Sie klingelt heftig. Lakaien kommen von rechts. Lauft’s dem Herrn Grafen nach und bittet’s ihn noch auf ein Wort herauf. LAKAIEN schnell ab MARSCHALLIN sehr bewegt Ich hab’ ihn fort geh’n lassen und ihn nicht einmal geküsst. Die 4 Lakaien kommen zurück ausser Atem. ERSTER LAKAI Der Herr Graf sind auf und davon - ZWEITER LAKAI Gleich beim Tor sind aufgesessen... DRITTER LAKAI Reitknecht hat gewartet, VIERTER LAKAI Gleich beim Tor sind aufgesessen wie der Wind. ERSTER LAKAI Waren um die Ekken wie der Wind, ZWEITER LAKAI Sind nachgelaufen... DRITTER LAKAI Wir haben geschrien... VIERTER LAKAI War umsonst. MARSCHALLIN Es ist gut. Geht nur wieder. Die Lakaien ziehen sich zurück. MARSCHALLIN ruft nach Den Mohammed! Der kleine Neger herein, klingelnd, verneigt sich MARSCHALLIN Das da trag’... NEGER nimmt eifrig das Saffianfutteral MARSCHALLIN Weißt ja nicht, wohin. Zum Grafen Octavian. Gib’s ab und sag sehr ruhig Da drinn ist die silberne Ros’n... Der Herr Graf weiß ohnehin... Der Neger läuft ab. MARSCHALLIN stützt den Kopf in die Hand und bleibt so, in träumerischer Haltung bis zum Schluss. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@mmnakai Strauss,Richard/Der Rosenkavalier/II-1+
https://w.atwiki.jp/mrfrtech/pages/33.html
Market Analysis The global Online Sports Betting Market is predicted to increase at a cagr of 13.6%, from USD 24,988.4 million in 2019 to USD 59,530.7 million by the forecast period. The global online sports betting market is expanding due to increased demand for sports, which is essential for reaching development goals. In a number of geographical, cultural, and political contexts, sport can play an important role in promoting societal integration and economic prosperity. Sports impact on social capital, culture, trust, and crime can help with increasing capital accumulation, thereby improving and strengthening market functioning. All these outcomes further reinforce each other to grow the market. Furthermore, participating in sports allows players to live longer and healthier lives. The global E-Sports market has been expanding in recent years, with an increasing number of players participating as competitors or spectators. The modern sports-only websites are now growing in popularity just like the traditional sports betting website, now offer chances to bet on events and tournaments, similar to how many people bet on E-Sports. The major growth factor of such market share would be the increasing sports demand and rising demand for e-Sports activities. The online sports betting market is seeing an increase in growth due to rising digital innovation. However, due to Government prohibitions, some nations are expected to put some restrain in the global market expansion. Then again, the enhancement of digital innovation through advanced programming and technological use can bring more opportunities in the global market due to high-quality games. COVID-19 Impact on the Worldwide Online Sports Betting Market The spread of new coronavirus has impacted numerous industries, including manufacturing, from raw material production to final product distribution. On the other hand, in order to track the spread of a deadly virus, governments around the world imposed restrictions on a variety of sporting activities. Scheduled events including the English Premier League, Serie A in Italy, La Liga in Spain, Super Lig in Turkey, and Major League Soccer in the United States were canceled or postponed due to a rise in the number of COVID-19 cases globally. Some organizations prefer to reschedule events in order to decrease expenditure losses, such as the Belgian Cup final, which was initially slated for March 2020 but was moved to August 1st. Another case in point is the African Nations Championship 2020 competition, which was scheduled to take place in Cameroon in April 2020 but has been postponed until further notice. Since governments imposed lockdowns to contain and monitor the spread of the fatal virus, a sizable percentage of the workforce has been instructed to remain indoors, resulting in a surge in demand for virtual entertainment and media. Microsoft, for instance, announced a large rise in multiplayer participation in March and April 2020. Furthermore, when physical venues stayed closed to prevent the spread of the virus, online casino gaming and fantasy sports betting grew by more than 30%. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8641 Market Segmentation The global online sports betting market is classified into various segments based on sports type, by type, by application. Moreover, on the basis of sports type, the online sports betting market is bifurcated into football, cricket, tennis, baseball, volleyball, basketball, hockey, horse riding, boxing, golf, racing, and many others. Further, the football segment is sub-segments into FIFA, Premier League, UEA/EURO, and others. The market analysis report suggests that the FIFA segment has registered for acquiring the largest market value in the preview period and increasing at a CAGR of 125 in the forecast period. According to the by Type segment, the online sports betting market is classified into line-in-play, fixed old betting, daily fantasy, e-sports, exchange betting, spread betting, and others. The online sports betting market is again segregated into web-based and mobile-based based on the application segment. Regional Analysis According to the global market analysis report, the regional bifurcation of the online sports betting market includes North America, Europe, Asia-Pacific, and the rest of the world. Moreover, the market study also states that Europe has dominated the online sports betting market in the preview years and is expected to grow at a CAGR of 12.1%. The driving factor would be the increasing zeal of watching sports with the advancement of innovative game formats and gaming modes. However, during the forecast period, the North American market is predicted to grow at the fastest rate of 15.8%. Key Players Notable players in the worldwide online sports betting market include 888 Holdings PLC (UK), Flutter Entertainment PLC (UK), Bet365 Group Ltd (UK), Fortuna Entertainment Group (Netherlands), Churchill Downs Incorporated (US), Entain PLC (UK), DraftKings (US), Betsson AB (Sweden), Betfred Ltd (UK), Webis Holdings PLC (Isle of Man), Kindred Group PLC (Malta), Sportech PLC (UK), BetAmerica (US), HKJC Football Betting Limited (Hong Kong), and Megapari (Cyprus). Industry Updates In April 2019, Betfred made the debut of its American Sports betting platform at Betting on Sports America 2019 at Meadowlands, New Jersey. In January 2022, Inspired, one of the leading B2B gaming content providers, announced to have acquired Sportech Lotteries, Inc., a subsidiary of Sportech PLC. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/online-gambling-market-8641 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
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Chenoua【cnu】 シェヌア語 00 Afro-Asiatic 01 Berber 02 Northern Berber 《現》living language アルジェリア【DZ】 言語名別称 alternate names Chenoui Sheliff Basin Shenowa Shenwa 方言名 dialect names Beni Menacer (Chleuh, Tachelhit, Tamenracit) Chenoui Djebel Bissa Tamazight de l’Atlas blidéen (Beni-Salah) 参考文献 references WEB ISO 639-3 Registration Authority - SIL International LINGUIST List Ethnologue Wikipedia
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【Tags Miku Shizennoteki-P tD tT K】 Original Music title カゲロウデイズ English music title Days of Heat Haze Romaji music title Kagerou Deizu Music Lyrics written, Voice edited by じん(Jin) / 自然の敵P(Shizen noteki-P) Music arranged by by じん(Jin) / 自然の敵P(Shizen noteki-P) Singer 初音ミク (Hatsune Miku) Append Vivid Sweet Click here for the original Japanese Lyrics English Lyrics (translated by animeyay): It happened at around 12 30 pm on August 15. The weather was nice. Showered in sunlight bright enough to make me feel ill, I, having nothing to do, was chattering with you. "But I think I kinda hate summer." While caressing a cat, you muttered brazenly. Ah, chasing after your runaway cat, you found yourself plunged before a red traffic light. A passing truck suddenly ran you over and drove away, while I screamed. I began sobbing at the color of splashed blood mixed with your scent. The heat haze was sneering at me, reminding me that it wasn t a joke. I blacked out at the cicadas noises that were disturbing the surface of the summer lake. When I came back to my senses in a bed, I hear the echoing sound of a clock s hands. What time is it? The hands of the clock point to a little past midnight on August 15. I remember the annoying noises of the cicadas. But wow, it s kinda mysterious. I remember the dream I had yesterday in the same park. "I should go home for today." When I was on my way, the people around me were all looking up with their mouths gaping. A falling metal pole pierced through you. A tearing shriek and the sound of wind chimes echo through the trees. The heat haze was sneering at me, reminding me that it wasn t a joke. Through my darkening eyes, I thought I saw you smile. The sneering heat haze plunders away one darkened world after another. It s been repeating for tens of years. You probably have noticed by now. This kind of frequently told story has only one ending, but it can be found beyond those repeating summer days. When I pushed you aside and jumped in, the truck slammed into me. The color of my splashed blood reflected off your eyes and your robotic body. The seemingly annoyed heat haze was laughing, as though saying "Take that!" It s quite a regular summer day for me. But something has come to an end this time. Awakening on August 14 in a bed, a girl, hugging her cat alone, said, "It didn t work again." Romaji lyrics (transliterated by Rei): hachigatsu juugonichi no gogo juunijihan kurai no koto tenki ga ii byouki ni narisou na hodo mabushii hizashi no naka suru koto mo nai kara kimi to dabetteita "Demo maa natsu wa kirai kana" neko o nadenagara kimi wa futebuteshiku tsubuyaita aa, nigedashita neko no ato o oikakete tobikonde shimatta no wa aka ni kawatta shingouki batto toota TORAKKU ga kimi o hikizutte nakisakebu chi shibuki no iro, kimi no kaori to mazariatte musekaetta uso mitai na kagerou ga "Uso ja nai zo" tte waratteru natsu no mizu-iro, kakimawasu you na semi no ne ni subete kuranda me o samashita tokei no hari ga narihibiku BEDDO de ima wa nanji? hachigatsu juuyonka no gozen juuniji sugi kurai o sasu yake ni urusai semi no oto oboeteita demo saa, sukoshi fushigi da na. onaji kouen de kinou mita yume o omoidashita "Mou kyou wa kaerou ka" michi ni nuketa toki mawari no hito wa minna ue o miage kuchi o aketeita rakka shite kita tecchuu ga kimi o tsuranuite tsukisasaru tsunzaku himei to fuurin no ne ga kigi no sukima de karamawari wazatorashii kagerou ga "Yume ja nai zo" tte waratteru kuramu shikai ni kimi no yokogao, waratteiru you na kigashita nando sekai ga kurande mo kagerou ga waratte ubaisaru. kurikaeshite nanjuunen. mou tokku ni ki ga tsuiteitaro. konna yoku aru hanashi nara ketsumatsu wa kitto hitotsu dake. kurikaeshita natsu no hi no mukou. batto oshinoke tobikonda, shunkan TORAKKU ni buchiataru chi shibuki no iro, kimi no hitomi to kishimu karada ni ranhansha shite monku arige na kagerou ni "Zamaa miro yo" tte warattara jitsu ni yoku aru natsu no hi no koto. sonna nanika ga koko de owatta. me o samashita hachigatsu juuyonka no BEDDO no ue shoujo wa tada "Mada dame datta yo" to hitori neko o dakikakaeteta [Shizennoteki-P, ShizennotekiP, Shizen-no-teki-P, Jin]